Maybe the best parts of Louis L’Amour’s book on self-education are the bits on how he learned to write short stories.
He started with the view that he knew how to write them.
He couldn’t understand why so many were rejected. He eventually decided that all those editors couldn’t be wrong. Something was wrong. with his approach.
Baffled, L’Amour decided to study the masters. In his case, that meant O. Henry, Guy de Maupassant, Jack London and Arthur Conan Doyle. Later, he added Maxim Gorky and Robert Louis Stevenson to the faculty.
L’Amour doesn’t say much about the lessons he learned. His main theme about writing is that no writer really helps another. Writing is something you must learn to do by yourself.
But bit by bit, I got a sense of his process:
• If you’re writing historical fiction, immerse yourself in the era. Read diaries, journals, letters and newspaper accounts. Don’t read one diary. Read 50.
• If you read a lot of first-person accounts, you’ll begin to read between the lines. You’ll begin to get a sense of unexpressed, or barely expressed, hopes, doubts and fears. At that point, you’re in business.
• Soak up the place and time, but don’t borrow incidents. Fiction writers should make up their own.
That last point is interesting and probably explains why I usually write essays, rather than stories.
L’Amour said he wrote more than 100 short stories before he wrote his first novel. He liked the short story and had a collection in his library.
• Source: Louis L’Amour, Education of a Wandering Man; New York: Bantam Books, 1989.