Gerald Howard said this about Malcolm Cowley:
Cowley stood in relation to books in the ’30s much the way Pauline Kael did to films in The New Yorker in the ’70s: It was a requirement in intellectual circles that you have an opinion about his opinion.
That much influence in one voice seems unhealthy to me. To me, criticism is best when there are a lot of different opinions.
But I am interested in how the public’s tastes are formed. I’d love to understand how some writers become part of the canon and others remain outside.
At one time there was such a person as a woman or man of letters, whose talk about literature helped a lot of people find their next book. (I would think of Virginia Woolf before I’d think of Cowley.) It’s an interesting role.
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